Tuesday, September 23, 2014

Tuesdays with Mollari

Hello Readers Mine, and welcome to the first of a new regular column here at Solomon Mao's! "Tuesdays with Mollari" will function similarly to "Meth Monday" as a space where I'll document my and Dale's adventures as we take on our latest project, a companion guide to the incredible TV series Babylon 5! Our working title is Dreams Given Form: The Unofficial Companion to the Universe of Babylon 5 (the subtitle will likely get tweaked, but the main title is firm). As we did with Wanna Cook?, Dale and I will be using social media to spread the word and (hopefully) build up some excitement, so look for the hashtags #DreamsGivenForm and #DGF on Twitter, Facebook, Google+, and yes, even LinkedIn, for all the latest on the book and Babylon 5 as it comes across our screens.

Londo Mollari (Peter Jurasik) and G'Kar (the late Andreas Katsulas)
who are a huge part of what makes Babylon 5 Quality TV.
Babylon 5 aired from 1993 - 1998, roughly twenty years ago, so some may be wondering why we've decided to concentrate our efforts in the past when we're right smack dab in the middle of a Golden Age of television here in the 2010s. It's simple, really: Babylon 5 is one of the places where the Golden Age began. Created by J. Michael Straczynski (who also wrote an astonishing 92 of the series' 110 episodes), Babylon 5 gave American television an array of firsts: B5 was the first show to introduce the long arc to television, with a pre-plotted storyline that stretched across all five seasons. It was also the first show to use the nascent internet to connect directly with fans as Straczynski reached out through newsgroups and BBS on USENET, GEnie, and CompuServe. This proved so effective that it spurred Warner Brothers to create one of the first official websites for a TV show - ever. To round up this truncated list, B5 was also broke new ground with its use of state-of-the-art (for the time) CGI, which, while it occasionally looks clunky today, nonetheless often remains breathtaking in scope and scale.

And then there are the fans - like me. I watched Babylon 5 as it aired, and where I lived at the time, the one station airing the show did so at 1 am on Sunday mornings as part of their "Sci-Fi Saturday Night" programming block, and I would stay up for it every Saturday, without fail, just to see what happened next. Babylon 5 was the first show that made me realize that TV fiction could be something greater than it usually was, that it could be as rich, complex, and rewarding as a great novel, as powerful, moving, and thought provoking as great cinema. For me Babylon 5  was the first show to combine the best of these other media with the serial nature of an ongoing TV show to create something new, and entirely wonderful. Nor was I the only one.

Babylon 5  has never been in syndication (though this has recently begun to change), but its fan-base has been tenaciously loyal, keeping the show alive via a host of internet forums that carried over into a myriad of groups and pages on every social media platform. With the advent of the series on DVD, we have acted relentlessly to bring new viewers to the series, who have in turn done the same. With the twentieth anniversary, Straczynski (who has remained an active creator in comic books, film, and television) and the cast and crew have reunited at various cons, bringing a new level of visibility to the show, and making the time ripe, we think, to revisit it with Dreams Given Form.

Most of all, perhaps, this is an opportunity to write about the first time I fell in love with a TV show, the first time I experienced the sensation of being in a deep relationship with a show that lasted for years. Not the torrid affair of a binge-watch, or the light friendship of the ongoing sitcom, but a real relationship  to which I was deeply committed and devoted,and which broke my heart when it ended, and even more so because it ended so damn well. If that's not something worth writing about, then I don't know what the hell is.

So keep an eye out here every Tuesday for "Tuesdays with Mollari," and together we'll see what it's like not only to write about Straczynski's dream given form, but also my own. I'm looking forward to the trip <*>!

Until next week,

Hold the Line!

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