Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Friday, August 1, 2014

Four Color Culture: X-Men: No More Humans

Hello Readers Mine! Welcome to another installment of "Four Color Culture." This week I'm going to be looking at X-Men: No More Humans, a Marvel Original Graphic Novel (OGN) which hit the stands (are there really any stands left anywhere?) in early May of this year. Written by Mike Carey with art by Salvador Larroca, color by Justin Ponsor and letters by Cory Petit, No More Humans turned out to be a really pleasant surprise.

X-Men: No More Humans, cover art by Salvador Larroca. Marvel Worldwide, 2014.

Full disclosure here: despite an early, passionate, and ongoing love of the X-Men, I don't currently have any X-titles on my pull list. Like many comic fans my age, I dropped out of buying comics regularly in the early 1990s when every time you turned around there was a new foil-hologram-cover, factory-bagged #1, 1.5 million copies printed "collectors issue" launching yet another new book from one of the Big Two. These were the days when the proliferation of the X-titles began, and yes, I admit it, I still have all five variant covers of X-Men #1 (Volume 2, 1992). But shortly thereafter I no longer bothered trying to keep up. So it went until the fall of 2012, when I found myself in a city with a really good comic shop (Atomik Comiks in Johnson City, TN - hey guys!), and a budding career studying and writing about pop-culture. So back to comics I went. And boy were there a lot of X-titles! And literally about seventeen years worth of continuity I had missed and which was still playing out with no scorecard in sight. I came in right at the very end of the A vs. X cross-over, just in time to read the last issues of Uncanny X-Men (volume 3,487), and the birth of All-New X-Men and Marvel NOW! (the first one).

Honestly, I wasn't impressed with All-New's first few issues (though people whose taste I generally trust have assured me I should go back and read the series), nor did Wolverine and the X-Men  do it for me, and fuck me if Marvel wasn't launching even more X-books, and who the hell knows what's going on or who's on which team anymore anyway, so the only semi-X-title I kept on my new list was Uncanny Avengers (and yes, I realize the irony in that the one title I still get has relied so much on back-stories and continuity from the years 1995 - 2012 that, despite having collected every issue since #1, there have been entire runs of four or five issues where I had to read Wikipedia for three hours just to kinda know what was going on). Since then, every time I think about catching up on the X-Folks, I look at the sheer amount of reading it would take, and I just go re-read the latest issue of Saga or Astro City.

Girls! Girls! You're both pretty!
 Carey, Larroca, and Ponsor, page 20, panel 1.
Even so, X-Men: No More Humans is the first X-Men OGN since the magnificent God Loves, Man Kills, and it promised to be a stand-alone work, so I ordered it. I'm really glad I did. Basically, all of the various X-People wake up on morning to discover that every non-mutant has disappeared from the face of the Earth. Both Cyclops' and Wolverine's X-teams investigate and wind up joining forces in order to solve the mystery of the humans' disappearance. Personalities and agendas are still present, but you really don't have to know any back-story to jump right in to this. A half-paragraph synopsis of the current state of X-affairs sets things up, and the two teams are working together by page 21. Carey and Larroca tell a really good story here. There's angst, action, betrayals, battles, old loves come back, and at the end of the day, the best that can be hoped for is the status quo ante bellum.

Behold: Magneto! Because... Magneto!
Carey, Larroca, and Ponsor, page 20.
The art is lovely. Larroca's style is largly realistic, he pays attention to details, particularly when it comes to faces, and his figures move well. His weakness is female faces and body-types, which sometimes look so much alike that it is difficult to tell Emma Frost from Jean Grey except for the hair. He's not afraid of blacks, but doesn't over use them, and his sunny day scenes keep the shadows in their proper places. There are a few obligatory and predictable splash pages, but whether it's Magneto, Storm's team, or Scott's the X-Men have always  liked to make an entrance, so I'll give the splashes a pass. Juston Ponsor is invaluable throughout, but particularly in panels where he unerringly uses color-washes and shading to evoke mood or to show various powers reaching right out for you.

Carey flat-out nails the voices of Scott, Storm, Wolverine, Magneto, and the Hanks, but, most of the other X-Men are more seen than heard, and the passive-aggressive dialogue between past Jean Grey and Emma Frost feels forced and tired. Plot-wise, Carey is tight and his pacing is spot-on, slowing down for ye olde X-speeches and statements of integrity when he should and smoothly letting the punches fly fast and relentlessly when all hell breaks loose. No More Humans  is basically a common foe/problem story, but it is well told, and neither X-team is forced to break their established worldviews. Most importantly, this is an X-story that can be read and enjoyed without having read All-New or Uncanny (volume 3,488) or whatever. In fact, it's the first book in a while that has made me want to go back and catch up on my X-reading. Maybe.

So check out X-Men: No More Humans if you get a chance, and check back here at Solomon Mao's every now and again for more of my musings on various comics and other pop-culture productions.

See ya next time!

Monday, July 28, 2014

Meth Monday: Talkin' Blue

Hello Readers Mine, and welcome to another "Meth Monday"!

As you know Dale and I were privileged to hold a book signing this past Saturday at Books-A-Million in Gastonia, and we had a blast. The folks at BAM were incredibly nice (and even gave us free beverages from Joe Muggs!) we met a lot of folks, and even sold some books. All in all a successful day. And we always learn something from a signing, or at least get things we already knew reinforced.

For instance, we will never again put the word "cook" into the title of a book. Yes, we agree that Wanna Cook? is a really cool title, and we're proud of coming up with it, but you would not believe the number of people who come up to us and wind up saying something like "Oh. I thought it was a cookbook." Of these it's generally an even split between those who are disappointed and those who are relieved. Another lesson learned on Saturday was how little attention we tend to pay when going about out day. We were set up just inside  and to the left of the only entrance to the store. Directly in front of the entrance was a display of best-sellers, new releases, and staff picks. To the right was a display of Harry Potter books and merchandise (including two really cool Hats of Sorting which provided some serious entertainment and cuteness as all these kids kept trying them on). So there was a lot of stuff right there as you walk in.

And about 60% of people just breezed right by all of it - and us. Seriously, I don't think they even saw any of it except as obstacles to maneuver around on their way to the cafe, or whatever section they were interested in. It was both weird and funny to watch. We generally said hello to anyone who made even glancing eye-contact, but again, that was only about 40% of the people who came through the door. And I began to realize that I tend to do the same thing. I love bookstores, and browsing, and it was really weird to spend several hours in a bookstore without browsing, but I too tend to make a b-line to whatever section of the store it is that I want to start looking around in: science fiction, graphic novels, bargains, whatever. Many days I am a part of that 60% who completely tune out all of the stuff that is right there when I walk into a bookstore - or any retail joint, for that matter. So now I think I'm going to try and slow down and see what I'm missing.

Here's a picture of Aaron Paul as Jesse Pinkman - just because!

So, some lessons learned and a fun day spent meeting new people and signing books. If you couldn't make it to the signing in Gastonia, but still want a signed copy, we left a few at the store, but you'd better hurry, we didn't leave all that many! Otherwise, you can come see us in Winston-Salem, NC at Barnes & Noble at 1925 Hampton Inn Court on Saturday, 9 August, starting at 3pm! We'll be signing copies of Wanna Cook?  as part of Barnes & Noble's "Get Pop Cultured" event, so it should be a blast. As always, you can count on more details as we get closer to the event date both here, on social media, and over on Dale's blog.

Coming up next week (Wednesday 6 August) though, look for us on CultureSmash.tv's weekly webcast where we'll be talking about Wanna Cook, the week in pop-culture, and various and sundry other things that might come up. It's a fun and snarky group of folks at CultureSmash, so it should be a blast. Dale and I will also be returning to Gobbledygeek Podcast  (probably available the first full week of August) in order to trade insults with Paul and AJ and to take part in Gobbledygeek's ongoing revisiting of Neil Gaiman's Sandman. This week, we'll be talking about Volume 5 "A Game of You."

So that's what we've got coming up for the moment, and we're always working on new ways to get out and about and talk Breaking Bad and Wanna Cook? So stay tuned here, on our various social media channels (see buttons to the upper right on this blog), and to Unfettered Brilliance  for all the latest news, reviews and doings. See you next time!

Keep Cookin'!


Monday, May 26, 2014

Meth Monday: A Quick Cook

Hello, Readers Mine! We're just in from a deliciously long weekend out of town that included naps, room service breakfast, lunches and parties with friends, and remembering why we got married in the first place. We haven't been back home long, and the holiday isn't officially over, so this week's "Meth Monday" is gonna be a short one.

In Wanna Cook? news, we learned late last week that Wanna Cook? The Complete, Unofficial Companion to Breaking Bad is being translated into Portuguese for publication in Brazil! I'll link to the publisher's site and hopefully a pic of the Brazilian cover as soon as I can. So that means that Wanna Cook? has been published in 3 continents in 3 different languages - and that, friends and neighbors, is pretty frellin' cool!

As for the rest of this Memorial Day post, enjoy this lovely little parody where Taylor Swift meets Walt and Jesse (thanks to @_ath3na for sending this our way!):


Until next week - Keep Cookin'!

Monday, May 5, 2014

Meth Monday: International Edition

Hello, Readers Mine! Well it's been a hell of a week at Solomon Mao's (or at least in the pocket of space-time where the author of Solomon Mao's lives). I wrapped up graduate school completely last Wednesday, making me a Master of the Arts (History) at long last, and spent the weekend just past celebrating my wedding anniversary, saying some good-byes, and moving everything from the apartment back home. That's right, after four years of marriage and one co-authored book, Dale and I will actually be living together on a full-time basis at last! Who knows? This might result in more books!

But you don't come here for updates on my personal life, so onward to our shared obsessions: Breaking Bad and Wanna Cook!

So Vince Gilligan had an interesting encounter down under at the Sydney Writers' festival this weekend, where he got to meet some of the people who helped make Australia the number one nation for illegal downloading of Breaking Bad episodes in the world. Gilligan apparently proved that Southern-by-way-of-LA charm is just as effective on Southerners-by-way-of-the-Tropic-of-Capricorn as it is on any other group of folks, and responded with his trademark mix of modesty and gratitude. (It's also worth noting that Gilligan made a nice pile from Breaking Bad - and deservedly so - so he can literally afford to be gracious!) Check out the full story in The Guardian

In Wanna Cook? news, I got a peek at the German cover of our book! Working with ECW, the German publisher Schwarzkopf & Schwarzkopf was translating Wanna Cook? as we were writing it, and the result will be available to the public on 1 June 2014 (according to Amazon.de). So, pretty cool in-and-of itself, right?

It gets better: It seems that fair use copyright law in Germany is a bit broader than in the US, Canada, and the UK, so our book got a new title, and a new cover. Check this out -

Wanna Cook? in German, by Guffey und Koontz!!!!

That. Is. AWESOME!!!!!!! We get a couple of author's copies, and I can't wait to see em! What do you guys think?

For those of you who read German, you can pre-order your copy today (but watch out for shipping and VAT!) For those of you who, like me, can basically only manage ja, nein, bitte, and volksgemeinschaft however, you can get your copy in English right now! And for those of you who not only speak and read English, but live in the Splendid Islands themselves, you can get a copy from Amazon.co.uk! So go, buy our book, enjoy it, and let us know what you think by writing review or two!

So that's it for this week, Readers Mine. Until next time - Keep Cookin'!

Monday, April 28, 2014

Meth Monday: Wanna Cook? is Launched!

Hello, Readers Mine! Sorry to be posting later than usual today, but things kinda got away from me.

So this past Saturday we held the official book launch for Wanna Cook? at Fireside Books in my hometown of Shelby, North Carolina, and it. Was. A. Blast! We saw so many fans, friends, and family who came out to buy a copy of Wanna Cook? nosh on some of the incredible food from Ni Fen Bistro, Blue Sky cupcakes and coffee from Lily Bean's Micro-Roasted Coffee, sip some quality vino from Dragonfly Wine Market, and to talk Breaking Bad. We signed book after book while chatting about everything from Werner Heisenberg to hydrofluoric acid versus lye to chiral molecules to Jesse as moral center. Seriously, we sold a LOT of books, and we deeply appreciate the support we received from our community, so thanks to everyone who came out.

Special thanks go to all the uptown business who got on board to help make the launch such a success: besides the fine folks mentioned above there were Pleasant City Wood Fired Grill, Newt's Pub Burgers, and Joe's Place Shelby who all ran specials centered on Breaking Bad and Wanna Cook. And a big thanks goes out to Holly's Flowers for our lovely lily-of-the-valley bouquet. Thanks so very, very much to you all, and please, if you're in Shelby, drop by some or all of these businesses uptown - I promise you'll have a great time! I'm including a snapshot from the launch below, but you can see more photos from the launch in our public Wanna Cook? album on Facebook.

Dale and I with Dawn Delk at the launch on Saturday,
and yes that's a bit of the Blue and some lily-of-the-valley decorating the table!

So the book is officially launched out into the world. Fireside still has a few signed copies left in stock, and you can find us on Amazon, Barnes & Noble, Powell's Books, and wherever kick-ass books are sold! Stay tuned here and on our Facebook and Twitter feeds for information on upcoming signings in the Southeast and across the US and for your daily dose of Breaking Bad news and events. Also, if you like Wanna Cook? why not give it a review on the site you purchased it from, or on Goodreads. We'd appreciate it.

Until next time, keep cookin'!

Monday, April 14, 2014

Meth Monday: Wanna Cook? is Available! (Yeah, Bitch!)

That's right, Readers Mine, Wanna Cook? The Complete, Unofficial Companion to Breaking Bad is officially available!!!!! We're not quite sure what happened. At first, all of the online booksellers had the release date as 1 May, and then Amazon started shipping orders, but everyone else was listing Wanna Cook? as not being available until 13 May, then it showed up on the shelves of Powell's City of Books (see pic below), and as of just a few moments ago when I checked right before I started to type this post, it's now available everywhere - at least online. So, you know, go get you a copy or three!

Seriously, though, if you've already bought a copy THANK YOU! You rock, and we will offer up burnt offerings before your alter. If you liked it, you could earn an even higher level of awesomeness if you'd take a few moments and review Wanna Cook? on Goodreads, or the online site for the retailer from whom you purchased your copy.

If you HAVEN'T bought your copy yet, and you live near Shelby, North Carolina, why not wait and get your copy on Saturday, 26 April at Fireside Books in downtown Shelby? (Call 704-487-8477 or drop by Fireside to reserve your copy today!!!) Because we're having a book launch, bitch!  We're starting at 5 pm and we're gonna party like we're at Jesse's house in Season 4! Well, okay, so we're actually not going to party quite that hard, but there will be some food, some wine and other refreshments, and Dale and I will be there signing books and all sorts of local businesses will be running special deals to mark the occasion. So here's the big scoop: show up at the following uptown Shelby retailers  with a signed copy of Wanna Cook? on 26 April ONLY, and you'll get:

Ni Fen Bistro: one free order of pot-stickers with your meal. (Ni Fen will also be supplying the hors d'oeuvres at the book launch!)
Pleasant City Wood Fired Grille: 10% off your dinner order.
Joe's Place: one free house dessert with your meal.
Fuzzy Peach: To Be Deteremined
Lily Bean's Micro-Roasted Coffee: TBD
Newt's Pub Burgers: TBD
Dragonfly Wine Market: TBD (Dragonfly will also be supplying the wine at the book launch!)

Please note that even the places listed above as "TBD" are definitely on board for the evening, they just haven't decided what kinds of deals to give you. We're also hoping to add some more folks to this list, so stay tuned here, and to our Facebook and Twitter pages, and Dale's "Walter White Wednesday" posts for updates. (If you own a business in uptown Shelby, and would like to be part of our launch, just contact me.) In addition, Shelby's annual Arts on the Square festival will be going on all day on the 26th so you'll have a chance to see the work of some of the incredible area artists and craftspeople before the launch. So come on out, say hello, buy a book from a local, independent bookseller, and have some fabulous food afterwards. We promise you it'll be an A-1 Night!

Check it out: Wanna Cook  on the shelf at Powell's Books!!! Thanks to @witnessaria for the pic and the heads up!
Okay, if you don't live around Shelby, you can still get your hands on a copy. Go on over to IndieBound.org to find an independent bookseller near you who's carrying Wanna Cook, or, if you'd rather, you can order your copy online from - well, pretty much everywhere:

Amazon USA
Amazon Canada
Amazon UK
Amazon Germany (in translation)
Powell's Books
Barnes & Noble
Books-A-Million
Wal-Mart (yeah, that's right: Wal-Mart, bitch!)

So, really, there's no excuse for not grabbing a copy somewhere. Like Saul's advertising, we're everywhere!

See you on April 26th at Fireside! Until then, keep cookin'!

Monday, April 7, 2014

Meth Monday: Get Yer Copies of Wanna Cook? NOW!

Hello, Readers Mine! I'm a bit pressed for time this morning, so this will likely be on the short and sweet side of things.

First off, our official book launch for Wanna Cook? The Complete, Unofficial Companion to Breaking Bad will take place on Saturday, 26 April starting at 5 pm at Fireside Books and Gifts in downtown Shelby, North Carolina!! Dale and I will be signing books, and there will be some snacks, some wine, and we're working on getting some great deals in place at downtown restaurants and businesses - show up with a signed copy of Wanna Cook? and get 10% off your order! More details will be forthcoming as we nail things down. Just keep an eye on our Facebook and Twitter feeds (those links are for Dale's - you can get to mine via the "buttons" on the upper right of this page), as well as right here at Solomon Mao's and over on Unfettered Brilliance. Give Linda and the fine folks at Fireside a call, or drop by to order your copy for the launch and they'll be there waiting for you on the 26th!

Look! Here's a picture of me actually holding a copy of Wanna Cook?:

It's real! It's in my hand! This actually happened!
One last piece of news before I have to run. If you can't make it to the launch, but still want to get your copy of Wanna Cook? early, head on over to our listing on Amazon. For whatever reason (and see, even authors are - somewhat frighteningly - left out of the loop as to what goes on with their books sometimes) Amazon is selling copies right now! For all I know this may be an error, so head on over and take advantage!

That's it for this week, Readers Mine! Until next time, keep cookin'!

Monday, March 31, 2014

Meth Monday: 4 Weeks Out

Hello again, Readers Mine! That's right, we're just four weeks and two days away from the official publication date of Wanna Cook? The Complete, Unofficial Companion to Breaking Bad, and the big news this week is that our author copies of Wanna Cook? are winding their way to us from the Frozen North even as I write this! I have to admit, I'm looking forward to opening a package in  the next week or two to find a box full of books with my name listed on the covers as one of the authors. This is my first time at this particular rodeo, and I have to admit I'm getting excited at the thought of actually holding a copy of the book I helped to write in my greedy little hands. Pictures will undoubtedly feature here shortly thereafter. That also means that it will be contest time shortly thereafter as we give away a few signed copies. We're still figuring out just how to organize that, so keep an eye out for more information. Also, be sure to check out my co-author's "Walter White Wednesday" post this week for details on our official book launch, which will be taking place at Fireside Books in downtown Shelby, NC!

Last week, I briefly caught you up on what Bryan Cranston has been up to since his Walter White days, and his portrayal of LBJ in All the Way continues to bring him kudos, not least from Stephen Colbert:


You gotta admit, the guy gives good interview. On the fan-art front, check out these incredible patent blueprint-style prints from Oliver Gal Artist Company:
Nifty, huh? Even months after the series came to its end, fans continue to produce some incredible art, mash-ups, and even books about Breaking Bad. (see what I did there?).

So that's about it fro this week, and remember, you can get your copy of Wanna Cook? on or at least very near May 1 by pre-ordering it today! Seriously, it's available in the US from every large bookseller either online or from stores, and the same should hold true in the UK and Germany (yes, there's a German translation being published simultaneously, because that's how we roll, and because the French didn't pony up any cash for the privilege - and we don;t cook for free, bitch.) If you're in the US and would rather spend your hard earned dollars at your local, independent bookseller, then head on over to our page at IndieBound.org, enter your zip code, and find an independent bookstore near you who'll be happy to order you a copy!

Until next week, keep cookin'!

Wednesday, January 1, 2014

2014 Reading

So it's the new year, and as is traditional, folks are posting about various resolutions, goals, plans, plots, challenges, and self-improvement schemes. Well, Readers Mine, I'm usually not much of one for that sort of thing, but this year Dale has decided that she's going to fill in some holes in her film and reading knowledge, the details of which you can find over on Mockingbird's Nest.

Nope, this has nothing to do with the post. But I think it needs to be here, because Joss! And comics!
When it comes to reading and watching films, it's pretty easy to get my interest, and I thought Dale's idea was pretty damn cool, so I've drawn up a list of eight books to help fill in some holes in my own literary knowledge-base. I am happy to say that I am fairly well read when it comes to Western literature, both ancient and modern, and can even say the same for ancient non-Western writing. When it comes to non-Western modern works, however, I'm pretty much ignorant. So my rules for this reading list were 1.) no Western books (including the Americas, Europe, Russia, and the ANZAC nations, 2.) all books must have been written after 1945, the more recently the better, and 3.) I had to choose a maximum of eight, to allow plenty of time for these books, other books, and the rest of life in 2014.

So here's the list, along with the authors' nations of origin:

The Dark Side of Love by Rafik Schami - Syria.
Broken Glass by Alain Mabanckou - Republic of the Congo
Zoo City by Lauren Beukes - South Africa
The Glass Palace: A Novel by Amitav Ghosh - India
Wolf Dreams by Yasmina Khadra - Algeria
The Cage by Kenzo Kitakata - Japan
Please Don't Call me Human by Wang Shuo - China
The Republic of Wine by Mo Yan - China

Hopefully I'll be able to post about each book here after I read it, and those of you who're interested can follow along. I've a couple of more resolution-type things I'm trying this year, but most of them are a bit close to home to share in a space like this, so content yourselves with these eight books, Readers Mine, and - 

Happy New Year!!!

Friday, March 8, 2013

Our Army at War #207, Featuring Sgt. Rock!


Since I went to grad school, I've had the great good fortune to spend a fair amount of time in a town with a really good comic book shop in it. Atomik Comiks in Johnson City, Tennessee has become a weekly tradition as I drop in to pick up whatever comics have come in, and (perhaps even more importantly) to hang out for an hour or three and shoot the breeze with owners Shawn Samier and Lynsey Holliman, and whoever else might pop in in the interim. It's really one of the best comic shops I've ever seen, and Shawn's collection of Silver Age (roughly 1956 - 1970) comics is just phenomenal. If you're both into comics and in the area, you should check it out.

Anyway, yes I still buy comic books and rather than go into some sort of unnecessary defense of the practice I will simply quote from a 2005 interview with Joss Whedon where he was asked if he still read comics. Whedon replied, "Yes, at age forty-one I go into a comic book shop every Wednesday." It would thus appear that I am in good company. (For the unwashed out there, Wednesday is New Comic Day.) So, over the past few months I've become more and more interested in the work of Joe Kubert. I've always been a fan, even as a child when I wasn't really aware of who was scripting and drawing the comics I liked, but I knew what I liked. Nowadays, however, I have some experience and education in both American popular culture studies and US history, as well as an adult awareness of the creators behind the cool stories and art. An artist like Kubert, who's career began in 1942 and ended only with his death in 2012, and who's own interest in history was not exactly negligible, is like a load stone for a guy like me who's primary academic interests are war, American memory, and American myth.

All of the above is just background, though. What I want to tell you about today, Readers Mine, is the sheer joyous experience that comic books can be, even to a full-growed man. This Wednesday, I decided to treat myself to a late Silver Age comic featuring Sgt. Frank Rock of Easy Company, a character co-created by Kubert and writer Robert Kanigher in 1959. Shawn and Lynsey had Our Army at War #207 at an astonishingly good price (thanks guys!), and I bought it based on Kubert's incredible cover:

Our Army at War #207, with cover art by Joe Kubert
Kubert's strong lines, mastery of shading, and fearlessness of blacks is clearly on display here, as is his dedication to a level of realism that even in 1969 when the comic was printed, remained unusual. The GI's aren't clean cut with immaculate uniforms, or calm and cool in the face of danger, and the tanks approaching them are quite readily identifiable as Panzerkampfwagen VI Tiger Ausf.Es or "Tiger I"s. Now I'm not saying that Kanigher and Kubert were dedicated to true realism, because Rock and the "Combat-Happy Joes of Easy Co." got out of more scrapes and scraps than any actual World War II US Army infantry company could have, but within the constraints of the comic book world, when you read their Sgt. Rock, you're getting more grit and grime and PTSD than is the usual for such fare. 

So I settled in to read the comic (of which the Kubert/Kanigher Sgt. Rock is only one story), and I found myself exclaiming out loud at almost every page turn. The story is gripping, the art sweeping on every page, but the page that really Wowed me was this one:


Our Army at War #207, p.9. Script by Robert Kanigher, art by Joe Kubert.
What you need to notice is what's not in these panels. Look at the whites, where no color has been used, particularly on Rock's face in the final panel. Against the light orange background which perfectly evokes both the heat of the North African desert and flames from the destroyed German scout-car, Kubert's brilliant pen and ink work on the shouting Sgt. Rock's face, left in "simple" black and white makes the image jump, and underlines and emphasizes Rock's shouted command driven by a hard-earned knowledge and fear of the war. I haven't seen a single panel in any of the modern books I have collected to match this one. Despite all of the CG rendering and coloring, and the undeniably gifted artists and writers that currently make up the modern comics market, they just can't match this. You can't call Kubert's work on Rock's face here an instance of less-is-more (indeed this may be the single most detailed image in the entire comic), but what's going on here is a far greater understanding of how art works, particularly how sequential art works, than is usually found today. The high-detail black and white image against a colored background and with colored word-balloons was a clear choice to shift the emphasis of the story from combat, explosions, and derring do, to a far more intimate focus on Rock and the knowledge that a single act of destruction is not victory but an invitation for further deadly violence against the all too fragile men of Easy Co. It is - simply - brilliant. And beautiful.

Our Army at War #207 gave me the kind of comic book reading experience that I remember from my childhood and teenage years and which contemporary comic books, particularly from Marvel and DC, all too often lack. It is a painstaking attention to detail and artistry that can make a simple story (which this Sgt. Rock piece assuredly is) into something truly great, and which demonstrates why comic books can be works of art, and are worth intense critical study as an art form. Keep in mind that O.A.A.W. wasn't a prestige title. For all of it's popularity and sales for DC, it wasn't Batman, Superman, The Flash, or The Justice League of America. It's just that Kanigher and Kubert (by this time Kubert was also editing the series) cared about their product and their art. Sure they were churning it out on a deadline, but they were also dedicated to their craft.

And I'm just not sure how true that is at the Big Two today.

Okay, that's enough for one post! Thanks for sticking with me, Readers Mine! I know this is a bit off my usual beaten path, but I just had to share it with you. Come back around on Monday for the next installment of "Meth Monday" where I'll continue to ruminate on Breaking Bad and plug the book I'm writing with K. Dale Koontz: Wanna Cook? The Unofficial Companion Guide to Breaking Bad (see how I did that?).
Until then - be well!

Tuesday, November 6, 2012

On Meth Mondays

Okay, okay, I'm a stupidhead.

There's been no "Meth Monday" for two weeks now, and also no explanation for its absence. Unfortunately, what I'm about to write is the explanation. In a perfect world, all I would do is write, go to cons and conferences, and play with Mockingbird (and not necessarily in that order), but it's not a perfect world. Currently I have all of four weeks left in my first semester of graduate school. In those four weeks, I have to produce three research papers totaling some seventy-five pages of original research. Since I'm a stupidhead (see above), I have more work to do on those papers than perhaps I should this close to the end of the semester. All is well, however, and the work will get done, but it does mean than my writing energies and attention pretty much have to be focused solely on those papers for the next month.

Therefore, "Meth Monday" will be taking a brief hiatus until the second week of December, when weekly installments will resume. In the meantime, follow me on Facebook and Twitter for links to the latest Breaking Bad stuff that comes across my screen, and be sure to visit my co-author's blog Unfettered Brilliance regularly for her updates on new films, Breaking Bad, and all sorts of good stuff. I will also try to post here, but it is likely to be short and linky, and irregular.

On a final note, Wanna Cook? The Unofficial Companion Guide to Breaking Bad is on schedule to be out in the spring of 2014 from ECW Press, after Season 5 has wrapped up and probably around when the "Complete Series" Blu-Ray/DVD/Whatever packaging is hitting the shelves as well.

So be well, and I'll see you back here for "Meth Monday" on December 17!

Wednesday, June 6, 2012

Thanks Mr. Bradbury, and Godspeed.

“And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.”
― Ray Bradbury, Fahrenheit 451

Ray Bradbury died today. He was 91. He took me to Mars, and he gave me Dandelion Wine (even though I was underage). My heart hurts to know that he's gone. But God, I'm glad he was here. Goodbye, Mr. Bradbury, and thank you so very, very much. I hope they have books where you've gone. Lots of 'em!

Tuesday, February 7, 2012

Book O' the Fortnight: Zone One by Colson Whitehead

Zone One by Colson Whitehead
This fortnight's book is one of the most intriguing and exquisitely written I have read in a long time. In a very small nutshell, the novel follows a weekend in the life plus flashbacks of "Mark Spitz," a survivor of the zombie-apocalypse who is currently involved in an operation to re-take and clear out a chunk of Manhattan Island and New York City. The Marines have done the heavy lifting, dropping in barricades around the Zone and eradicating 98+% of the normal seek-and-eat zombies, but afterwards small, para-military sweeper teams like Mark Spitz's are sent in to take care of "stragglers," zombies which, for whatever reason, never quite adjusted to being zombies. Instead of mindlessly attacking and eating any living human they come across, they spend their un-lives stuck in a repetitive loop: operating a long-dead copy machine, answering unringing phones, even lowering and raising fry-baskets into empty deep-fryers in the back of a Micky Dee's.

Now, before you get excited at the prospect of another Zombieland-style zombie-apocalypse novel Readers Mine, be warned: this is not your average zombie-apocalypse novel. In fact, what Colson Whitehead has written isn't a zombie-apocalypse novel at all. Instead he has written something both far more original and far more traditional and universal: he's written a novel about the human heart in conflict with itself set in a post(?)-zombie-apocalypse world. This novel is really quite brilliant, but unfortunately the fact that it isn't really a zombie novel has cost Whitehead considerably in terms of high-star reviews on places like Amazon. In the end it is rarely genre-novels that give fields like horror, SF, fantasy,mystery, etc a bad name. It is the fans, and zombie-apocalypse fans have proven true to the type with Zone One. In other words, since it turns out not to really be a zombie-apocalypse novel, those who picked it up expecting a comfortable romp through familiar generic territory are left confused and angry, so they blame Whitehead for betraying their expectations. In the process they miss out on an incredible work of fiction.

To my mind, Zone One is about trauma, and how the human mind and spirit tries to deal with it, and adjust to a world that is irrevocably changed from the one they are familiar with. Mark Spitz spends a lot of time wandering through his past via often sudden, quasi stream-of-consciousness vignettes. These trips give the reader a look into both the pre-apocalypse world, and Spitz's months of survival and constant movement after Last Night, to the eventual beginnings of a kind of national recovery and Reconstruction. The problem is that Spitz grew up in a world very similar and only a few more years advanced technologically than our own, a world with which we are intimately familiar and which is now gone forever, destroyed by the "plague." (Whitehead's use of "Reconstruction" to describe the efforts of the rebuilt American government is a nicely ironic twist on classic "Redemptionist" novels of the early 20th century, which celebrated the antebellum American South and reviled the historical post-war Reconstruction efforts of the North.)

However, Spitz adjusted to the post-First Night world, and actually became extremely good at surviving, at staying alive and uninfected/eaten in a country where the revenant dead vastly outnumbered the living. His problem is that he cannot seem to adjust to this third era, where, supposedly, the survivors are to take back what was theirs and rebuild the lost world. Yet everyone knows that a true resurrection of the past is impossible. Too many have died, too much has been endured by the survivors. (Indeed, Whitehead gives the reader a wonderfully dark strain of comic relief with the universal effects of PASD, Post-Apocalyptic-Stress-Disorder, where modern psychology meets the end of the world.) Spitz is separated from the two worlds where he knows the rules and now is being asked to adapt to a third, where no one knows the rules.

Spitz's trauma(s) run deep and true, and Whitehead's style gives the reader a continuous sense of weightlessness, of being adrift, and trying to find an anchor or sure footing on a fun-house floor. Anyone who has ever experienced the death of a parent or loved one, especially at a young age, will recognize this uncomfortable micro-gravity. How can the world continue to go on after X? Why does it? It has been irredeemably changed, yet doesn't seem to recognize the fact! Trauma challenges our necessary assumption of personal importance, and in the case of Zone One, our assumption of human importance. Individually, in predictable environments, we usually manage to adapt. But what if, as Whitehead asks, the environment is fundamentally unpredictable? How much change do we have in us? How malleable is the human mind, how adaptable the human spirit?

And given a choice in worlds to live in, would we really make the apparently obvious and sane choice?

This is a great book, and deserves to become a classic, cult or otherwise. It's available for Kindle as well, so   go and grab it. You'll dig it.

Monday, January 16, 2012

Book O' the Fortnight: Ink-Stained Amazons and Cinematic Warriors

Ink-Stained Amazons and Cinematic Warriors
 by Jennifer K. Stuller
Regular readers will recognize the author of the current Book O' the Fortnight from previous mentions here in connection with Slayage and Geek Girl Con, and it is well known that she's one of my favorite people. I met Jennifer K. Stuller at Slayage 4 in St. Augustine, where she gave an incredible presentation on pop culture influences on Joss Whedon's works. At the same conference, we bought her book Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology, which she was kind enough to inscribe for Dale and me. I'm kind of ashamed to say that it took me until late last year to sit down and read it cover-to-cover. Don't get me wrong, her book wasn't sitting idle. I dipped into it regularly, reading a chapter here, skimming a section there, diving from index to mid-chapter to see what she had to say about a particular interest here and there, but I just hadn't settled in for the entire journey.

I'm glad I finally did!

Stuller self-identifies as a pop culture historian, and Ink-Stained Amazons  shows the truth of that claim. Her research and methodology are impeccable, and she presents her findings in a narrative that is both fascinating and fun, using a wide ranging, multi-disciplinary approach that sets her work firmly within the changing historical context of the past century or so. More, her writing is immediately accessible, and thoroughly enjoyable. She begins by briefly outlining her focus, being female characters in popular culture which meet at least two of four criteria: 1.) a narrative that "borrows from, or resonates with, classical themes and/or elements of world mythology," 2.) has "an element of the fantastic," 3.) "a uniquely identifiable skill or power," 4.) and "a mission or purpose that benefits the greater good." These criteria set, she then gives the reader an excellent historical overview of female superheroes from William M. Marston's Wonder Woman to Dark Angel's Max Guevara, covering kick-ass female heroes in comic books, comic strips, books, movies, and TV along the way. Importantly, Stuller places the development of these figures within the larger socio-cultural context of (particularly) American culture and the emergence, growth, and change of the feminist movement.

Stuller is also unflinching in her analysis of the successes and failures of both the larger culture and the feminist movement's various "waves." She maintains an admirably clear and unbiased historical lens throughout (which trust me, Readers Mine, is an incredibly difficult thing to do when writing about a subject  that one is passionate about!). From classic historical narrative, Stuller moves in the second section of her book to the mythological and cultural underpinnings and story-structures of female superheroes, combining history, feminist criticism, Jungian archetypes, Campbellian comparative mythology, and fan-love into a powerful in-depth analysis of the successes an failings of specific characters and narratives, from The Avengers to Modesty Blaise, to Xena the Warrior Princess, Charlie's Angels, Buffy the Vampire Slayer,  Birds of Prey, Wonder Woman, and Dark Angel to name just a few. She examines the strange lack of female to female mentoring, positive maternal figures, and realistic female relationships in popular culture, as well as pointing out where such stories have appeared.

With some of the problems and potentialities of fdemale superhero narratives outlines, Stuller concludes with a look at the women who are creating the modern crop of female superheroes. From actors like Nichelle Nichols, Whoopi Goldberg, Lucy Lawless, Lynda Carter, Sarah Michelle Gellar, among others, all of who take their positions as potential role models very seriously, to writer/blogger/activists like Mary Borsellino, Gail Simone, Trina Robbins, and Angela Robinson, who are on the front lines of creating today's female superheros and working against old tropes and entrenched male-centric storytelling, Stuller gives the reader an inside look on the still growing, still evolving history of the female superhero who today is more and more often being brought to life by women.

Stuller's final chapter asks the question "Where do we go from here?" Which she answers with an unflinching "foreward!" In spite of failures, in spite of resistance, in spite of steps forward being accompanied by steps back, the next step is to continue, that each of us, whatever sex, whatever gender, may find in these modern myths the stories that inspire us, and that, in Jennifer K. Stuller's own words, enable us to  find "heroes to relate to, and ways to live heroically."

It is a remarkable, fun, moving and inspiring book, one that I'm glad is on my shelf, and who's author I am so very proud to call a friend. Go buy it.

Friday, January 6, 2012

Breaking Bad Book Deal!!



Well, Readers Mine, we've been keeping it under wraps until we had actually signed the contract, but as of 3 January. K. Dale Koontz and I are officially writing Wanna Cook? The Unofficial Guide to Breaking Bad for ECW Press!

I've been a fan of the show since I first saw a pair of khaki's floating down out of a pure blue New Mexico desert sky in the cold open of the pilot episode. To be fair, I was watching said episode on DVD at the urging of the one and only David Lavery, but from then on I was hooked, and the show has -- incredibly -- just gotten better and better. The list of awards Breaking Bad has garnered would take up more space than you'd want to read here, but as an example consider that Bryan Cranston, who plays one of the central characters, Walter White, will be up for his fourth consecutive Emmy for his work on Breaking Bad, and if he wins, it will be the first four-peat in TV history.

The show is truly amazing. Cinematic, brutal, compelling, beautifully written, filmed, and acted, I have absolutely no hesitation in saying that it is, beyond a doubt, the finest show on TV. So you can see why I wanted to write about it. As part of this diabolical scheme, I hooked K. Dale Koontz on the Breaking Bad pipe with Season Four last year, and when the opportunity came to put in a book proposal, we got together and started cooking. Not-so-long-as-you-might-think-story-short, the book will be on the shelves in either early or mid-2013, depending on how AMC decides to air the final 16 episodes of the series.

Therefore, you can expect to be seeing a lot of material on Breaking Bad here in future. As a means of helping us keep our deadlines (as well as an exercise in "New Media Marketing"), Dale and I will be posting regular updates on the book's progress. You can find and follow me on Twitter as @EnsleyFGuffey, as well as on Facebook, and Google+ as Ensley F. Guffey. In addition, of course, I'll be posting updates here at Solomon Mao's, both in main posts and in a new sidebar section to the right called "Wanna Cook? Updates" (I am nothing if not original.) You can also follow along over on Dale's blog and you can follow her on Twitter @KDaleKoontz. We'll be posting under the hashtags #wannacook and #breakingbad.

The first major deadline for the book is June 15, when we have to turn in a draft covering the first 4 seasons, and then we'll be rewriting that section as Season Five is airing, after which we bust our butts to get the final section covering S5 in. We'll be breaking things down into smaller chunks with self-imposed deadlines as we go, and I'l be sure to keep Solomon Mao's updated, one way or another. So wish us luck and go ahead and stash $20 somewhere, because you know you'll want to buy the book!

Wednesday, December 14, 2011

A Very Whedon Christmas!!

In a nod to the holiday season, I'm pleased to announce the first-ever Whedon Christmas Shopping Guide here at Solomon Mao's!
Joss Whedon his own bad self!
In the comments below you'll find a (hopefully) wide selection of the best writing on the work and worlds of Joss Whedon, from Buffy the Vampire Slayer to Dollhouse and beyond, by some of the most brilliant and talented minds around. Here at last are the perfect gifts you've been searching for, and just (barely!) in time for Christmas! 


At this point I have to give a nod to John Scalzi, who's series of Whatever Shopping Guides inspired this little effort. You should read his blog and books too!


Here's the rules:


This comment thread is for authors and editors of books on the works of Joss Whedon and the Whedonverses only. Please do not leave other comments, as they will be removed by the moderator.


1.) Posts by authors and editors of books only. If you are not the author/editor of the book you're posting about, please do not post.


2.) Your book must currently be in print and available.


3.) One post per author, please. Those among you who have authored/edited more than one book, feel free to post about multiple works, but all in the same post please.


4.) Please keep your description of your book brief and entertaining, as if you were talking to someone at a signing who might buy your book!


5.) Include a link to your book at an online bookseller. You can use standard HTML link scripting, a useful guide for which can be found here.


6.) Feel free to share and link to this blog post on Twitter, Facebook, Google +, or any other social media.


7.) As noted above, comment posts that are not by authors/editors promoting their own books will be deleted by the moderator.


Okay: now tell us all about your book!

Monday, November 28, 2011

Infidel by Kameron Hurley is the Book O' the Fortnight


You may have noticed some changes here at Solomon Mao’s recently, Readers Mine. I decided it was time to refresh the look of things a little and add some new bells and whistles, among which is the Book O’ the Week, which you see to the upper left. The theory is that every week I’ll choose a book I’ve read and really enjoyed, write a quick review post, and then leave a linked cover shot up until the next week. Of course, in reality, I’ve had Vernor Vinge’s Children of the Sky up for a good two and a half weeks now, so maybe I should call the piece the “Book O’ the Fortnight,” which doesn’t sound all that bad actually.

God's War by Kameron Hurley
Anyway, I’m pleased to put up Kameron Hurley’s Infidel as the new Book O’! Hurley’s a recent discovery on my part, as I picked up her first novel, God’s War, this summer and pretty much was instantly hooked on the worlds she has made and the words she uses to make them. God’s War and Infidel are the first two books in a series set on the planet Umayma (an Arabic name meaning “high mother” or “little mother”), a world originally fundamentally hostile to human life which was roughly terraformed many centuries ago and thus at the time of the novels is merely inhospitable. Not that you can really blame the planet. See, the terraforming was carried out by semi-mythical “magicians” using bugs, bioengineered insects which presumably breathed in whatever mix of atmospheric gases was originally present and belched out a good ol’ nitrogen-oxygen-argon-etc mix, and broke down and fertilized the soil, made the water drinkable, etc, etc, until the planet’s putative population, until this time eaking out an existence on the several moons around Umayma, could come on down, though they may have done so before things were quite ready. Of course, like all human technologies the bugs had – well – bugs, and sometimes the terraforming… got interesting.

Anyway, the settlers were largely of a faith derived from Islam, with a few non-Muslim groups thrown in. At first Umayma had a planetary government and a kind of all powerful, all female planetary special forces/religious police force, the bel dames. As in “sans merci.” Soon enough, people being people, this set up went to hell, several separate nations states emerged from the chaos, and two hundred odd years ago, two of those, Nasheen and Chenja, started a war that’s been going strong ever since, fueled by religious intolerance, nationalism, and chemical and biological weapons that make a genegineered ebola-smallpox hybrid look like dessert topping.

Out of this world and this war steps Nyxnissa so Dasheem, “Nyx” – ex soldier, ex-bel dame, and one of the hardest boiled anti-heroes to come down the pike in a long while. Nyx isn’t just hard, she’s brutal. Not driven, but ruthless. Just to give you some idea, here’s the very first line of God’s War:

“Nyx sold her womb somewhere between Punjai and Faleen, on the edge of the desert.”

Yeah. Like that. Hurley’s prose is tight and hard, sometimes coming so fast and clipped that it reads like the sound of a master chef chopping celery. Nyx is a product of her world, and Hurley somehow makes you want to love and hate her at the same time. Her foil is Rhys, a tall drink of water, half-assed magician, and observant Muslim who is soft where Nyx is hard, and hard where she is, unexpectedly, soft.

I’m not going to go into the story of Infidel here, because it’s the second book in the series, and because the tale it tells is inextricably bound up in the world Hurley has created. This truly is one of the most magnificent examples of world-building I’ve seen in decades, and the characters are a part and parcel of that building. Be advised, this ain’t your granny’s SF/F. Hurley pulls no punches, gives no easy answers, and she shies away from nothing. Race, religion, gender roles, sex, drugs, violence, war, politics, business… all of that is here in all of its rotting glory, but there are also people desperately looking for something to believe in, something to live by and for, even if they have to invent it for themselves. I’ve seen Hurley’s work called “feminist science fiction,” “bug noir,” even “bug punk.” Whatever. I call it fast-paced, well written, meticulously detailed, character-driven, bad-ass writing, and I think you will too.

Buy her stuff. You’ll like it.

Sunday, November 20, 2011

The "First Triumvirate," in Review



The last decades of the Roman Republic were dominated by the ambitions and machinations of three figures: Cn. Pompieus Strabo Magnus (Pompey), M. Licinius Crassus, and C. Julius Caesar. Any examination of the period from 70 to 44 BC inevitably hinges on one, two, or all three of these men at any given time, and therefore their biographies become essential to the student of the period. In their attempts to reveal and evaluate the lives of these figures, Robin Seager’s Pompey the Great: A Political Biography, Allen M. Ward’s Marcus Crassus and the Late Roman Republic, and Richard A. Billows’ Julius Caesar: The Colossus of Rome, present the reader with both the best and worst of the art of historical biography.

Cn. Pompeius Strabo Magnus
Robin Seager makes no bones about his intent with his Pompey the Great: A Political Biography, stating in his preface that “the subtitle of the present work is intended to warn the reader to expect no treatment of the detail of Pompeius’ wars and no estimate of him as a commander,” and indeed, the following sixteen chapters give only the briefest treatment of Pompey’s military career. Seager begins with a brief introduction giving an overview of Roman political history from 133 – 79 BC, and begins his biography proper with the career and death of Pompey’s father, Cn. Pompeius Strabo senior. He then proceeds chronologically through Pompey’s life, paralleling political events in Rome with Pompey’s overseas dispositions, paying particular attention in both cases to Pompey’s time in the East from 66 – 62 BC. Seager presents a portrait of Pompey as a man of overweening ambition and political acumen, whose desire for public recognition from the Senate as the traditional ruling body of the Republic was both in opposition to his life-long willingness to stretch the unwritten Roman constitution and traditions, the mos maiorum, to the breaking point, and yet also functioned as a restraint on that same ambition. As Seager concludes, “[Pompey’s] eagerness for honors to be granted him willingly had compelled him to acknowledge the right of the senate and people to deny him if they chose. He had wanted to be the dominant figure in the senate, but in a senate that was still the ruler of Rome… Pompeius then did not want to destroy the republic.” Seager places the blame for that squarely on Caesar’s shoulders, but does not neglect to point out that Pompey’s own actions did little or nothing to preserve the system he so desperately sought command of and approval from.

M. Licinius Crassus
Allen M. Ward presents the reader with another political biography with his Marcus Crassus and the Late Roman Republic. Here again, Crassus’ military career is only briefly described, and his final, fatal campaign against the Parthians almost not at all. Ward too devotes his first chapter to setting the historical scene, and uses chapter appendices to this and chapters VIII and IX to provide the reader with detailed prosopographical data which serves to illuminate his research process and the conclusions reached in the chapters themselves. These appendices strike a nice balance between relying on overly long footnotes and the traditional consignment of the appendices to the back of the book, and serve well in providing the reader with further information without bogging down the primary narrative, which proceeds in chronological order from the scarce sources surrounding Crassus’ birth ca.115 BC to his defeat and death at Carrhae in 53 BC. Ward is particularly painstaking in his analysis of the known political and legislative events in Rome with an eye to discovering the probable prime movers behind various proposed laws, prosecutions, defenses, speeches, and other public performances in Rome during Crassus’ career. Ward presents Crassus as something of a moderate optimate; an inherently conservative politician who was nonetheless generally amenable to compromise when possible, and who “often tended towards the via media,” the middle road.
            
C. Julius Caesar Dictator
Richard A. Billows’ Julius Caesar: the Colossus of Rome, is part of Routledge’s Roman Imperial Biographies series, and proves to be a readable and concise addition to the many biographies of Caesar. Billows begins with a prologue that also serves as a bibliographic essay with an emphasis on works which challenge the traditional interpretations, and which Billows, while not necessarily in agreement with them, credits as valuable lenses for providing fresh perspectives on his subject. Billows also provides historical background and context in his first chapter, devoting fully a fifth of his text to the history of Rome and Italy in the second century BC, before proceeding chronologically through Caesar’s life, with the exception of chapter VIII: “Caesar’s Place in Roman Literature and Culture,” a thematic interlude placed between the flight northward of the tribunes M. Antonius and Q. Cassius in late 50, and the crossing of the Rubicon in early 49. Billows’ Caesar is a popularis through and through, becoming the central figure in a movement that Billows sees as springing from, and directly connected with the Marian and Cinnan movement of the 80s BC. He also fixes Caesar as the lynchpin in what Ronald Syme has termed the “Roman Revolution,” and his associates and followers as the power behind it both during Caesar’s life, and beyond.

Taken together, these three biographies provide an uneven look at the three men who comprised what historians refer to as the First Triumvirate. Ward is working from the fewest sources, and thus is necessarily the most reliant on prosopographic and legislative analysis. Though he is careful to acknowledge the problems inherent in this approach, his analyses are impressive, and more often than not, convincing. He also provides a valuable counterpoint to the traditional portrayal of Crassus as a paragon of ruthless greed, pointing out that both Pompey and Caesar became far wealthier than Crassus, yet were not condemned for their wealth due to the way in which they acquired it: by conquest. Crassus, who made his money through business deals and speculation which were considered beneath the Roman nobility, “became the subject of a hostile literary tradition that was set by his political enemies, who scorned the methods Crassus adopted…” Nonetheless, due to the paucity of source material, and the fact that Crassus seems to have often preferred to work behind the scenes rather than openly on the public stage, makes Ward’s efforts, even at their best, more speculative than not.

Seager confronts similar problems, and handles them poorly. His political and legislative analysis often seems to be naïve, as when he states that the assignment of the forests and cow-paths of Italy as the provinces of the consuls of 59 was not a move by the optimates in the senate to curtail Caesar’s growing power and ambition by denying him the prospect of a foreign war. According to Seager, “at the time when the allocation [of provinces] was made… Caesar had not yet been elected, and even if the optimates had already felt certain that he was bound to take one place, they would not have wanted to rob their own candidate Bibulus of a proper command.” To suggest that the optimates, no strangers to the realities of Roman politics, could not foresee that Caesar, who had won election to every magistracy on the cursus honorum up to the praetorship in the first year he was eligible, and whose status, wealth, and political power had only increased during his propraetorian command in Spain, was almost certain to secure the consulship, is bordering on the absurd.

Seager’s greatest fault, and one shared with Ward, is his choice to largely omit any examination of Pompey’s military career. The distinction between civil and military power in ancient Rome was nonexistent, and each affected the other profoundly. In the case of Pompey, his entire political career was predicated on his military activities, and largely consisted in repeated attempts to secure special commands, and with them, praise and power in Rome. It is not going too far to say that without his military achievements and ambitions, Pompey would have had no political career, or if he had it would have been a far different, likely much less pivotal one. In a very real way Seager gives the reader half a man, and half the story.

Ward too fails to detail Crassus’s military career, though he does slightly better than Seager with his discussions of Crassus’ service during Sulla’s civil war, though Crassus’ role in the victory of the Battle of the Colline Gate in 82 BC does not receive nearly the attention which it deserves, nor does his successful campaign against Spartacus in 72/1. Most unfortunately, however, Ward chooses not to detail Crassus campaign leading up to Carrhae at all, thus omitting the vital ending to Crassus’ tale. Again the choice to focus on the political at the complete expense of the military, particularly when examining Roman statesmen, proves to be a grave error.

Billows, does not fall into this trap, and combines astute political analysis—though not, perhaps, at the level offered by Ward—with a thorough understanding of the importance of Caesar’s military career to the man and his life as a whole. Billows does an excellent job of covering Caesar’s campaigns in Gaul, and the Civil War against Pompey while also tying these campaigns into the larger picture of Caesar as statesman. Indeed, over all, Billows’ work is of high quality, and made even more impressive for being so complete within the space of some 263 pages. The one place where he stumbles is in the thematic chapter VIII, mentioned above. Though it provides valuable information, it is oddly placed within the narrative, and disrupts the heretofore chronological structure of the historical narrative to no truly good end. This chapter might have been of better service as an appendix, or even woven into the primary narrative as part of Caesar’s life in the 60s BC. Another glaring weak point lies in Billows claim that the young Octavian was to have served as Caesar’s Master of the Horse during the Parthian campaign planned for 44/3, a claim for which Billows presents no source or argument, and which the present reviewer’s research turned up no evidence. These oddities aside, Billows provides the best of the three biographies reviewed here, and certainly one of the best resources for a student of the period, combining his bibliographic prologue with a standard bibliographic list at the end of the text.
            
Though each of the biographies reviewed here has its strengths, neither separately nor together do they provide a complete picture of the First Triumvirs, or of their time. At best they provide a starting point for further research, and a general overview of the period from which to begin such research. There is still much to learn, and one hopes many more biographies on all three of these men to come.